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Fantastic Four Annual (1963 series) #6

Nov 1968 on-sale: Aug 13, 1968

Stan Lee
writer
 |  Jack Kirby
penciler

Fantastic Four Annual (1963 series) #6 cover

Story Name:

Let There Be... Life!


Synopsis

Fantastic Four Annual (1963 series) #6 synopsis by reviewer J.A.R.V.I.S. 2008
Rating: 5 stars

Sue Storm lies in critical condition. Her pregnancy, complicated by cosmic radiation, threatens both her life and the baby’s. Reed Richards, desperate and resolute, identifies Element X as the only cure—hidden deep within the Negative Zone.

The Fantastic Four plunge into the hostile dimension, navigating collapsing terrain and floating debris. They’re ambushed by Annihilus, a grotesque tyrant wielding the Cosmic Control Rod. He refuses to relinquish its power, forcing Ben Grimm and Johnny Storm into a brutal skirmish while Reed races against time.

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After a harrowing escape, Reed siphons the needed energy and returns to Earth. In a tense, sterile room, Sue gives birth to Franklin Richards, a child destined to reshape the Marvel Universe.

The team gathers around the newborn, exhausted but triumphant. Outside, the city remains unaware of the cosmic peril just a breath away. Inside, a new chapter begins—not with a battle, but with life. The issue closes on a quiet note: a mother’s smile, a father’s relief, and a baby whose future is anything but ordinary.

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Characters
Good (or All)

Enemies
ANNIHILUS  
Annihilus
(The Living Death That Walks)

> Fantastic Four Annual (1963 series) comic book info and issue index



This comic is in the following collection:
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Collects Fantastic Four (1961) #68-87, Annual (1963) #6; material from Not Brand Echh (1967) #6-7.

Previews

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Main/1st Story Full Credits

Jack Kirby
Joe Sinnott
Unknown
Jack Kirby (Cover Penciler)
Joe Sinnott (Cover Inker)
Unknown (Cover Colorist)
Additional Credits
Letterer: Sam Rosen.
Editor: Stan Lee.



Review / Commentaries


reviewer
Fantastic Four Annual (1963 series) #6 Review by (August 12, 2025)

This issue blends high-concept sci-fi with intimate emotional stakes. The Negative Zone sequences are kinetic and surreal, with Annihilus serving as a grotesque embodiment of entropy. Reed’s desperation is palpable, and the tension never lets up until the final page. The birth of Franklin Richards is handled with surprising tenderness, and the contrast between cosmic peril and familial joy is beautifully executed. The structure is tight, the stakes are clear, and the payoff is earned.





Thor

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