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Amazing Spider-Man, The (1963 series) #116

Jan 1973 on-sale: Oct 10, 1972

Stan Lee
writer
 |  John Romita
penciler

Amazing Spider-Man, The (1963 series) #116 cover

Story Name:

Suddenly... The Smasher!


Synopsis

Amazing Spider-Man, The (1963 series) #116 synopsis by reviewer Anthony Silvestro
Rating: 3.5 stars

While pondering his recent troubles with Aunt May, Spider-Man spots a billboard advertising Mayoral Candidate Richard Raleigh suddenly get attacked by a 10-foot tall man! Calling himself the Smasher, he has a clear vendetta against Raleigh. Spider-Man catches the painters who had been working on the billboard before tackling the Smasher. The Smasher tears off what’s left of the billboard and throws it at Spidey who keeps it from hitting the crowd below. Spidey is able to kick the Smasher off his perch where he falls to a lower rooftop. Just then, the painters lose their footing, forcing Spidey to catch them once again, allowing the Smasher to escape. Without any other leads, Spidey heads to the Daily Bugle where he retrieves his mask from its current place on J. Jonah Jameson’s wall! An irate Jameson claims that Raleigh is going to get rid of criminals like him, while Spidey enjoys the feeling of being back in his real mask.

Spidey changes back to Peter in order to re-enter the Bugle to sell some photos but first runs into Harry and Mary Jane. Mary Jane gives Peter a button promoting Richard Raleigh in an attempt to cheer him up and invites him and Gwen to a rally being held for Raleigh the next night. Peter heads in to show his photos of Doc Ock and Hammerhead to Jameson, when Jameson gets a call about the Smasher’s attack on Raleigh’s billboard. Deciding that’s the real story, he tells Peter to get lost until he can get some photos of it and checks in with Robbie to make sure the story is being followed up on. Betty asks Peter if he’s going to watch Raleigh’s speech currently playing on the office TV, but Peter declines. Raleigh gives an impassioned speech promising to serve the people of the city and crush crime any way he can! Afterwards, Raleigh’s approached and told to lay off the speeches if he doesn’t want to end up at the bottom of the river. Not one to be intimidated, Raleigh doubles down, promising that he’s going to crush the criminals of this city!

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The next evening, Spider-Man swings through the city, postponing having to talk to Gwen. Without any sign of the Smasher, he finally decides to get it over with and heads to see Gwen. When she answers the door, he asks her if there’s anything going on between her and Flash and she responds by promising that they’re only friends and embracing Peter. Later, the two head to the rally where they’re greeted by Mary Jane. She tells them that Raleigh already left after giving a knockout speech, meaning they got there just in time to catch the final speaker, the long-winded Jameson! Not long after, Peter’s spider-sense goes off and he notices the ceiling is starting to crack, threatening to fall onto the crowd. Peter uses his ulcer as an excuse to slip away from Gwen and douses the lights in order to crawl around unseen. Peter crawls up to the ceiling and tries to use his webbing to keep the ceiling from caving in but feels it starting to slip, dooming everyone below, including Gwen! To be continued!

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Characters
Good (or All)
JJJAMESON  
J. Jonah Jameson
(JJ Jameson)
MJWATSON  
Mary Jane Watson
(Mary Jane)
ROBBIEROBERTSON  
SPIDERMAN  
Spider-Man
(Peter Parker)

Enemies
Richard Raleigh, Smasher.

> Amazing Spider-Man, The (1963 series) comic book info and issue index



This comic is in the following collection:
ad
Collecting Amazing Spider-Man (1963) #105-123.

Main/1st Story Full Credits

John Romita
Jim Mooney
Unknown
John Romita (Cover Penciler)
John Romita (Cover Inker)
Unknown (Cover Colorist)
Additional Credits
Letterer: Sam Rosen.



Review / Commentaries


reviewer
Amazing Spider-Man, The (1963 series) #116 Review by (December 31, 2025)

Review: My, this looks familiar! If you feel you’ve already read this story, that’s because this issue and the next two took the main story from Spectacular Spider-Man #1 and slightly redrew and edited it with additional scenes and dialogue in order to better fit it into the current continuity (the original having reflected the continuity of when it came out in 1968). It’s only partially successful at that. The basic plot is the same, with a large Man-Monster (now called the Smasher) targeting Mayoral candidate Richard Raleigh. The issue adds a scene of Spidey getting his mask back from Jameson (and as a result his first encounter with the Smasher is redrawn to add the eye holes of the costume shop mask he swiped), as well dialogue mentioning Peter’s ulcer and what went down with Aunt May last issue. MJ is also changed to be slightly less all-in on Raleigh, whereas in the original she and everyone else adored him.

The biggest change involves Raleigh himself. Part way through, he gives an impassioned speech against crime. In the original, he’s revealed right afterwards to be shady and using his Mayoral aspirations for his own gain, whereas this issue alters the dialogue to make him seem honest for longer. The issue ends when Peter attempts to keep the ceiling from caving in at Raleigh’s rally (try saying that five times fast), which is as good a place as any to split it up. I do think the alterations make this a bit better than original. Some of the more drawn-out sequences from the original are cut down, and with the added scenes, definitely helps to improve the pacing. It’s still a little awkward at times, for example, MJ and Harry are all of sudden dating again (given they were in the original art) but it’s the only glaring contradiction. We also see a lot less of Raleigh himself by this point compared to the original, which cuts down on his impact a bit. Conway’s added dialogue is great though, making this overall a very solid part one of three.

Comments: This issue and the next two are redrawn and edited versions of the main story from Spectacular Spider-Man #1 from 1968, with new scenes and dialogue added to better fit it into the current continuity. The Man-Monster from the original is given a different design and now called the Smasher, sort of making it his first appearance. Spider-Man alludes to changing in a phone booth, a clear reference to Superman.





Thor

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