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Amazing Spider-Man, The (1963 series) #96

on-sale: Feb 9, 1971
Stan Lee | Gil Kane

Amazing Spider-Man, The (1963 series) #96 cover

Story Name:

--And Now, the Goblin!


Synopsis

Amazing Spider-Man, The (1963 series) #96 synopsis by Anthony Silvestro
Rating: 5 stars

Peter Parker heads home from London to New York, his mind full of his failed trip to see Gwen. Deciding the trip wasn’t a total loss, Peter heads to the Daily Bugle as soon as he lands to show Robbie the photos he got. It’s only once Robbie is looking at them that Peter realizes that Robbie might also wonder about what Peter and Spider-Man being in London at the same time must mean. However, Robbie doesn’t raise any questions and Peter leaves, wondering just how much Robbie truly suspects. The next day, Harry invites his roommate to the theater that night, where Mary Jane is performing in her very first off-Broadway play! Peter reminds Harry that he’s broke but Harry offers to pay, to Peter’s embarrassment. Not one to let up, Harry also pushes Peter into accepting his father’s standing job offer, telling Peter he’ll let his dad know he’s on his way. Peter switches to Spider-Man and reminisces about the true reason he’s been hesitant about the job offer: Norman’s secret history as the Green Goblin!

Deciding he may as well give it a shot, Peter heads to Norman Osborn’s company and is quickly let into his empty office. Peter then hears Norman conversing with his doctor in an adjoining room, causing Peter to worry about how much Norman could be remembering. Norman tells Peter to figure out a schedule that he could work part-time and even offers to pay for him to attend MJ’s show that night. With more things now on his mind, Peter runs into Aunt May and Anna Watson on their way to see a show, noting that Aunt May looks happier than he’s seen her in months. Peter then hears some police sirens going off and decides to investigate the situation as Spider-Man. Spidey quickly arrives on the scene to find a young man stoned out of his mind on drugs! After the youth steps off the roof he’s on, Spidey quickly catches him and sets back on solid ground, where the police successfully resuscitate him!

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Spidey mulls over the situation he just got involved in, wishing there was more he could do to combat the drug epidemic. Not long after, Peter arrives early for the show, to find Mary Jane, Harry, and Norman waiting for him. Harry mentions the crazy coincidence that his dad used to own this very building that’s now acting as an off-Broadway showplace. Mary Jane greets Peter a little extra enthusiastically, flirting with him much more overtly than usual despite her relationship with Harry, which both Peter and Harry are quick to notice. Just after, Randy arrives, the last of their little group, having just heard about Spider-Man’s rescue of the drugged-out man. Randy espouses his frustrations with the drug scene, feeling it’s unfairly labeled as a “black problem.” He and Norman get into a spat when Randy says that Norman should be doing more to fight it. Norman tries the normal defense that it’s not his responsibility and Randy counters that since he’s rich and influential, that makes it his responsibility!

The others break the fight up and quickly head inside, where Mary Jane’s show is about to start. All worries are forgotten as everyone inside is captivated by MJ’s performance. Then, at Intermission, Peter and Harry both notice Norman acting strangely and Peter’s spider-sense warns him about a particular door. Peter continues to watch Norman throughout the rest of the play and determines to come back later to check out the door. After the show, everyone goes their separate ways, with Harry still concerned about his father. Speaking of whom, Norman feels compelled to return to the theater and enter the room he was drawn to. Meanwhile, Peter switches to Spider-Man and spots Norman returning to the building, entering with a key he subconsciously knew he had. With a bad feeling about everything, Spidey rushes to follow Norman inside and finds his worst fears confirmed! Norman Osborn has become the Green Goblin once again, and he’s not going to let Spider-Man leave alive! To be continued!

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Characters
Good (or All)
ANNAWAT
BETTYBRANT
HARRYOS
MJWATSON
AUNTMAY
ROBBIEROBERTSON
SPIDERMAN
Plus: Randy Robertson.

Enemies
GREENGOBLINGNO

> Amazing Spider-Man, The (1963 series) comic book info and issue index



This comic is in the following collection:
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Collecting AMAZING SPIDER-MAN (1963) #86-104.

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Main/1st Story Full Credits

Gil Kane
John Romita
Unknown
Gil Kane (Cover Penciler)
Gil Kane (Cover Inker)
Unknown (Cover Colorist)
Additional Credits
Letterer: Art Simek.



Review / Commentaries


Amazing Spider-Man, The (1963 series) #96 Review by (August 13, 2025)

Review: Here we have part one of the famous anti-drug story! Stan Lee had been asked directly by the U.S. Government to write a story to appeal to the youth of America warning against the dangers of drugs! As a result of its blatant talk and depictions of the effects of drugs, this issue and the following two were not approved by the Comics Code Authority but were published anyway, a first for any Marvel Comic or really any mainstream all-ages comic (though DC published their own famous anti-drug story only about a month after). We see the first example of someone under the influence of drugs in a comic when Spidey saves a stoned-out guy from falling to his death! Just after this, Spidey espouses some commentary on how dangerous drugs can be and how he’d rather fight all of his enemies at once than get hooked on drugs! The commentary is pretty in your face but that’s kind of the point.

The drug commentary doesn’t stop there as Norman Osborn and Randy Robertson get into a fight regarding what should be done. Norman feels like it’s not his responsibility to use his hard-earned money to fight this while Randy claims that since Norman is rich and influential, that makes it his responsibility! Surprisingly realistically (or sadly depending on how you look at it) the arguments each uses are ones that are still often used today regarding many social issues, not just drugs. Mary Jane also acts oddly extra flirty around Peter, with next issue heavily implying that there’s something going on with her and Harry off-panel to make her act this way. It’s a bit hard to tell though as their entire relationship so far has basically been off-panel, and it’s not exactly the best look considering what ends up happening with Harry. More on that next issue. And of course, if all this wasn’t enough, Norman becomes the Green Goblin again (presented as a built-up last page reveal even though it’s spoiled by the cover and title). With tons of drama and monumental occurrences, this issue perfectly sets up the next couple issues of this historical, paradigm-shifting story!

Comments: Part one of a three-part story that was not approved by the Comics Code Authority, due to its blatant depictions of drugs.





Thor

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